Kit

Kit Perriman

THE CAULDRON


September 24, 2021

The Divine Comedy: Dante’s Demons

The Divine Comedy is an epic poem written by Dante Alighieri between 1308-1320 AD.  As one of the most influential books ever composed, this religious allegory about the importance of salvation marks the start of Italian literature.

The story begins at Easter in the year 1300.  There are three parts (cantiche) aligning with the Trinity’s Father Son, and Holy Ghost.  They are entitled Hell (Inferno), Purgatory (Purgatorio) and  Heaven (Paradiso).  Each section has 33 Songs (cantos), except for the first part which has 34.  These add up to a total of 100 Songs to represent Dante’s “perfect” number 10 (10 x 10 = 100).

Written in the first person, Dante imagines his soul’s spiritual quest as it ventures from darkness into light.

Dali 1 (Salvador Dali)

“Midway on our life’s journey, I found myself

In dark woods, the right road lost . . .”

The narrator wakes up one day to find himself in the dark forest of sin.  The spirit of Virgil appears and promises to lead him on the path of salvation through Hell, Purgatory, and into  Heaven.  Virgil eventually hands him over to Beatrice (the ideal woman).

Dante’s world is full of monsters and demons.  Each soul is punished according to its former deeds, which range from small self-indulgent transgressions such as a lack of willpower. to violent and malicious crimes.  Hell is portrayed as an underground funnel made up of circles.  At the bottom sits Satan who perpetually gnaws on history’s three worst traitors: Judas, Brutus, and Cassius.  The punishments inflicted on the travelers are vivid and relentless – the stuff of eternal nightmares.  Yet those sinners who have confessed to their crimes before death are eventually permitted to leave Hell and head through Purgatory in search of Heaven.

Purgatory is a mountain made up of 7 rings, with the Garden of Eden at the top.  Once cleansed of their sins, the wandering souls rise up toward Heaven where God appears as a vision of light.

Dante’s morality poem is a tale of justice and retribution.  The wrong-doers are punished for their past crimes with the worst torments imaginable.  They have to suffer alone and abandoned, devoid of help or hope.

Cerberus_Gluttony[1]

So why is this classic called The Divine Comedy when it is a full-blown scary vision of Hell?  Because Dante’s epic has a happy ending and therefore is not considered a tragedy in the standard literary tradition.

Sleep well!

(Paintings: Public Domain)

Copyright © 2021 | KitPerriman.com | All Rights Reserved



September 23, 2021

Kit’s Crit: The Inferno of Dante (Robert Pinsky)

Dante

Robert Pinsky was the U.S. Poet Laureate from 1997-2000, and therefore my expectations for his translation of Dante Alighieri’s masterpiece The Inferno were very high.  I was not disappointed.

Pinsky recreates the medieval world view of religion and society -the original political subtext – the stunning imagery – and the 3-line interlocking stanzas of the terza rima rhyming scheme to great effect

Staying close to Dante’s intent, Pinsky underscores the symbiotic relationship between poetry and love.  He draws parallels between the narrator’s journey from Hell to Heaven with that of Ulysses’ adventures in Homer’s Odyssey, maintaining the power of the original poetry and making it accessible to the modern reader.  The Italian text is printed alongside the revised translation.

Dante’s work has influenced a wide range of intellectuals from Galileo through to the Modernists of the early 20th Century, particularly T.S. Eliot, Ezra Pound, and James Joyce.  Many artists have chosen to illustrate The Inferno in their own style.  This edition contains 35 interesting monotypes by Michael Mazur, although I personally favor the earlier illustrations of Salvador Dali.

Copyright © 2021 | KitPerriman.com | All Rights Reserved



September 22, 2021

Hole’s Softer, Softest

Softer, Softest

(Courtney Love, Eric T. Erlandson)

the-witch-525958_640[1]

I tell you everything
And I hope that you won’t tell on me.
And I’d give you anything
I know that you won’t tell on me.

The pee girl gets the belt
It only makes me blind,
Your milk is sour
And I can only cry,

And I can only cower,
And I can only cry,
You have all the power.

I’ve got a blister from
Touching everything I see.
The abyss opens up
It steals everything from me.

The pee girl gets the belt
It only makes me blind,
Your milk is so sick,
Your milk has a dye,

Your milk has a dick,
Your milk has a dye,
Your milk has a dick.

Burn the witch, the witch is dead –
Burn the witch, burn the witch,
Just bring me back her head!

The pee girl gets the belt
The old milk makes me blind,
Your milk is so mean,
Your milk turns to mine,

Your milk turns to cream,
Your milk turns to crime,
Your milk turns to cream,
Your milk turns to crime,

Your milk turns to cream,
Your milk turns to crime,
Your milk turns to cream.

Listen to Softer, Softest here:

(Photo: Public Domain)

(Video: YouTube)

Copyright © 2021 | KitPerriman.com | All Rights Reserved



September 21, 2021

Olde English Scones

Olde English Scones

Cream_Tea[1]  (Photo: Ibán Yarza)

Ingredients

8oz plain flour (save a little for rolling out dough)

3 teaspoons baking powder

pinch of salt

1oz sugar

2oz dried sultanas or raisins

2oz butter (save a little for greasing tray)

1/4 pint milk

1 beaten egg (save a little for glazing)

Method

  1. Heat the oven to 450 degrees / 230 degrees / Gas 8.
  2. Lightly grease a shallow flat baking tray.
  3. Place the flour, baking powder, and salt in a bowl and stir together.
  4. Rub in the butter until the mixture looks like large breadcrumbs.
  5. Add the sugar and dried fruit.  Stir well.
  6. Mix in the beaten egg and milk to form a soft dough.
  7. Turn out on a lightly-floured surface and knead until the dough forms a large ball.
  8. Roll out to 1″ thickness.  Press out 6-8 rounds with a pastry cutter.  Place the rounds on tray.
  9. Brush with the egg glaze.  Place in the middle of a hot oven for 12 – 15 minutes until golden brown.
  10. Remove to the cooling rack.

Serve warm with butter – or cold with jam and thick clotted cream!

Copyright © 2021 | KitPerriman.com | All Rights Reserved



September 20, 2021

The Witch-finder General

Matthew Hopkins (c. 1620-1647) was the self-appointed Witch-finder General of the English Civil War era.  He worked mainly in the East Anglia region.

Hopkins Hopkins, the son of a Puritan clergyman from Suffolk, operated with a man called John Stearne.  Several women “prickers” also travelled around the countryside with them, going from town to town to identify those in league with Satan.  Although the Witch-finders were only active for three years (1644-1647) they were responsible for accusing approximately 300 women – more witches than England had executed in the previous hundred years!

Hopkins found employment as a direct result of the second Lancashire Witch Trials of 1634, whereby King Charles personally investigated the case and finally pardoned all of the prisoners.   Thereafter, he demanded  a confession, or material proof of a crime, before sentencing a suspect to death.

As Hopkins was paid for the witches he uncovered, he developed his own methods to comply with the royal demand.  Torture was illegal – but the Witch-finder General used sleep deprivation, ducking (or swimming) witches, bleeding, and the test of pricking the Devil’s Mark.  Rumor claims that Hopkins invented a bodkin with a retractable blade.  This looked like it was piercing the skin but in fact it made no impact.  Because the prisoners felt no pain, and did not bleed, they were deemed to be sorcerers.

In 1647 Hopkins published a pamphlet called The Discovery of Witches, but a campaign against his cruel methods had already been triggered by John Gaule, a vicar in Huntingdonshire.  As public opinion changed, the Witch-finder’s credibility dwindled and his team was forced into retirement.  He died in 1647, probably from tuberculosis.

According to local legend, Matthew Hopkins’ ghost haunts Mistley Pond — a spot in Suffolk close to where he was buried.  It is said that he still roams the land in search of witches!

 

(Drawing: Public Domain)

Sources

BBC Legacies. “Witch-finder Witch?” at http://www.bbc.co.uk/legacies/myths_legends/england/essex/article_4.shtml

Controverscial. “Matthew Hopkins,” at http://www.controverscial.com/Matthew%20Hopkins.htm

Encyclopedia Britannica. “Matthew Hopkins,” at http://www.britannica.com/biography/Matthew-Hopkins

Wikipedia. “Matthew Hopkins,” at https://en.wikipedia.org/wiki/Matthew_Hopkins

Copyright © 2021 | KitPerriman.com | All Rights Reserved

 

 



September 17, 2021

The Mystica

untitled

(Photo: Kit Perriman)

 

THE MYSTICA

In solitary non-compliant places

the Mystica rise

against the gravitational tug of nature

thwarting mortal will.

Gnarly limbs that grasp into consciousness

press the rub of time.

Their fingers grapple the swollen currents –

blasted and empty –

swimming away from treacherous  sandbanks,

unchecked by any tide.

A mysterious spell-binding graciousness

captivates the eye

and highlights the worn skeletal echoing

of constant pressure.

Their branches lie bare of verdant feathering

yet will bloom again

as they wrestle the constant drownings that

sap land-locked spirits.

Look! Out of even dead apparitions spring

promises of fresh life.

(Kit Perriman)

Copyright © 2021 | KitPerriman.com | All Rights Reserved

 



September 16, 2021

Ten Famous Witch Trials In England

Witches in the dock: 10 of Britain’s most infamous witch trials

by Owen Davies

 [This article first appeared in the December 2012 issue of BBC History Magazine.
It was posted online by Emma McFarnon on December 30, 2013]

There were many harrowing witch hunts, assizes, and executions conducted throughout England during the Burning Years.  This excellent article helps demonstrate how the Lancashire Witch Trials fit into that history:

“The prosecution and hanging of two men and eight women on Pendle Hill in Lancashire in 1612 has long caught the public imagination, the story being retold in puppet shows, pamphlets, plays and novels. In terms of witchcraft as heritage tourism, Pendle Hill has become the Salem of Britain. A century later, the last conviction for witchcraft in England took place in Hertfordshire.

It is fitting to put both trials in context, and explore the rise and decline of witch persecution in Britain. Note that I’ve used the word ‘persecution’ and not ‘craze’. This was not an episode of mass insanity: witchcraft made perfect sense within the world view of people at the time. It’s also important to remember that, for two centuries after the last person was executed for witchcraft in Scotland in the 1720s, people continued to harbour a genuine fear of witches.

One common misconception is that witch trials belong to the medieval era. In fact, there were no laws against witchcraft in Britain until 1542, when Henry VIII passed an act against witchcraft and conjuration. But this does not mean that witches were not considered a problem in the 15th century, as our first trial shows…

1) 1441: magic in high places

The stand-out sorcery case of the pre-witch-trial era was that of Eleanor Cobham, Duchess of Gloucester. In 1441 she stood accused of employing a magician named Roger Bolingbroke and a wise-woman named Margery Jourdemayne to kill Henry VI by sorcery.

They were found guilty, and to warn others against such practices, Robert was made to stand upon a stage constructed in the churchyard of old St Paul’s Cathedral while a sermon was preached against magic. His magical paraphernalia was also exhibited, including wax images, a sceptre and swords draped with magical copper talismans. He was convicted of high treason and hanged, drawn and quartered.

Margery was burned at Smithfield either as a heretic or a female traitor. Cobham underwent public penance, pleading that she had hired the magicians not to kill the king but to use their magic to enable her to have a child by the Duke of Gloucester. She was imprisoned for life.

During the 15th century, concern was repeatedly expressed about necromancy and sorcery in aristocratic circles, leading to a handful of trials for treason, heresy, slander and murder. Commoners such as Jourdemayne were rarely caught up in such intrigues, but the tables would be turned more than a century later when witchcraft was seen to be a pervasive problem.

 

2) 1566: blood, baskets and a cat called Satan

Henry VIII’s witchcraft act of 1542 was deemed unfit for purpose, and was repealed in 1547. It was replaced in 1563 by an ‘Act Against Conjurations, Enchantments and Witchcrafts’ – a clear indication that the authorities were growing increasingly fearful of magic during the early years of Elizabeth I’s reign. Scotland passed its own, even harsher, Witchcraft Act that same year.

Essex was the heartland of the earliest witch trials under the new act, and it was the county that pursued witch prosecutions most vigorously over the next century. The first major trial in England was heard at the Chelmsford assizes in July 1566. Lora Wynchester, Elizabeth Frauncis, Agnes Waterhouse and her daughter Joan Waterhouse, all of Hatfield Peverel, stood accused.

Elizabeth Frauncis confessed that she had been taught witchcraft at the age of 12 by her grandmother. She had given her blood to the Devil in the likeness of a white-spotted cat, which she kept in a basket and fed. Agnes Waterhouse confessed she had a cat called Satan through which she worked her maleficium (simple harmful magic), rewarding it with chickens and drops of her blood.

Frauncis was imprisoned, Agnes Waterhouse was hanged for committing murder by witchcraft, and Joan was found not guilty.
The testimony published in a popular pamphlet, The Examination and Confession of Certain Wytches at Chensforde, helped spread the notion of the diabolic familiar – a spirit in the form of an animal. 

3) 1590: James VI and the witches of Berwick

In 1590 King James VI of Scotland and his bride, Princess Anne of Denmark, were caught up in a terrible storm as they returned home to Scotland across the North Sea. Accusations were made in both Scotland and Denmark that witches had been employed to kill the couple. Suspicion fell on a pretender to the Scottish throne, Francis Stuart, Earl of Bothwell, and claims were made that a coven of witches had met at Auld Kirk Green, North Berwick, to raise storms in the Firth of Forth and so destroy shipping.

Unlike in England and Wales, torture was legally acceptable in Scottish witchcraft cases. It was applied to the North Berwick suspects, and extraordinary confessions then flowed. Agnes Sampson, for instance, confessed that she took the Devil ‘for her maister and reunceit Christ’. It was heard that she and her fellow witches gathered in the churchyard to kiss the Devil’s backside and dug up graves to get finger bones for their spells.

Found guilty, Agnes was garrotted and then burned in January 1591. As for Francis Stuart, he fled his incarceration and became
an outlaw. James VI personally examined Agnes Sampson, and penned his own discourse on the subject, Daemonologie (1597). James’s desire to keep a close eye on the prosecution of witchcraft led him to decree in 1597 that all such trials be conducted by the central judiciary rather than local courts. The king became more sceptical about witchcraft accusations in later years.

 

4) 1594: Gwen Ellis is the first witch to be executed in Wales

The witch trials were at their peak in England when, in June 1594, Gwen Ellis, a woman in her early forties who had been married three times, was taken to Flint gaol on suspicion of witchcraft. She remained there for four months awaiting trial.

Gwen made a living from providing herbal medicines for sick animals, and administering Christian healing charms to cure various illnesses. For these services she was paid in kind. But when a charm, written backwards, was found in the parlour of magistrate Thomas Mostyn’s Caernarvonshire home, Ellis was accused of putting it there to bewitch and not cure.

At the ensuing trial Ellis’s transformation from simple charmer to witch was completed when witnesses claimed that she had a familiar, a bad temper and a sharp tongue. Accusations accumulated, the most serious of which was that she murdered one Lewis ap John by witchcraft. On the last count she was found guilty and sentenced to death.

Ellis’s case was one of only 34 or so prosecutions for witchcraft in Wales, a remarkably low number in the annals of European witch trials.

 

5) 1612: Pendle hangings cause a sensation

The Pendle witches are famous for confessing to having attended a Sabbat (a meeting of witches) at Malkin Tower, Pendle Hill on Good Friday in 1612. The Pendle saga began in simple fashion when, in March 1612, young Alison Device met a peddler named John Law and asked him for a pin. Law refused and subsequently became paralysed down one side. Witchcraft was suspected, and a local magistrate Roger Nowell was informed.

Reports of one person denying another charity turn up in numerous witch trials. Alison confessed that she had made a pact with the Devil under the instruction of her grandmother, Old Demdike, and had bewitched Law in revenge. She also accused a member of a rival family, Old Chattox, of being a witch.

Soon accusations came flooding in against both families and others. In all, 19 people were arrested that summer, several as a consequence of a separate set of accusations made in Samlesbury. They were taken to Lancaster Castle to await trial at the summer assizes, and tried under the 1604 act of James VI and I.

This replaced the 1563 act and extended the death penalty to invoking evil spirits and using dead bodies in witchcraft – an echo perhaps of events at North Berwick. On 20 August 1612 two men and eight women were hanged at the gallows erected on the moors above Lancaster.

6) 1645: an old lady’s pact with the Devil

Witch trials in England had slowed to a trickle by the time of the Civil War of the 1640s, but during this period of turmoil and strife the ‘Witchfinder General’ Matthew Hopkins and his sidekick John Stearne set about sowing a trail of fear and death across the eastern counties. While the idea of the Devil’s pact was not new, it assumed much greater significance now with numerous instances being reported of people having sex with the Devil.

In August 1645, the Corporation of Great Yarmouth sent for the two men to examine 16 suspected witches, five of whom were subsequently sentenced to death. One of them, an old woman, confessed to having made a pact with the Devil in the guise of a tall black man. He took a penknife and scratched her hand until the blood flowed, then guiding her hand she signed her name in blood in his book.

The idea of signing a Devil’s book was a product of this period, probably arising as a diabolic inverse of the Puritan parliamentary exercise of requesting people to sign or mark oaths and covenants of allegiance. Hopkins died two years later, having instigated some 300 trials that led to the execution of some 100 people.

7) 1697: six people are executed on the word of an 11-year-old

While the last documented execution for witchcraft in England took place in1682, three men and four women were sentenced to death in Paisley, Scotland, in 1697 for committing murder by witchcraft.

This tragedy began the year before with the supposed possession of Christian Shaw, the 11-year-old daughter of John Shaw, laird of Bargarran in Renfrewshire. She suffered fits during which she was rendered blind and mute, and vomited up pins, hair balls, feathers, bones, straw and other objects. Some witnesses testified that they had seen her carried through the house by an invisible force.

Christian first accused one of the laird’s maids, Katherine Campbell, and an elderly widow named Agnes Nasmith of bewitching her. She pointed the finger at others, too, and those interrogated named others, so more than 30 people were accused in all. Six of them were hanged and burned for witchcraft – and one committed suicide before the sentence was carried out.

This was the first time a Scottish witch trial had been triggered by alleged demonic possession – a remarkable fact given that such instances of possession had been prosecuted in England and Europe for decades. Christian Shaw, who came to be known as the ‘Bargarran Imposter’, later married a minister. Who knows if she felt any guilt about what she had done.

8) 1712: Queen Anne’s pardon spells the end of an era

In March 1712 Jane Wenham of the Hertfordshire village of Walkern stood trial at the lent assizes in Hertford. She was charged under the Witchcraft and Conjuration Act of 1604 for ‘conversing familiarly with the Devil in the shape of a cat’.

The trial was the cause of much religious and political polemic. Despite Judge John Powell’s skepticism regarding the evidence heard in court – when one witness testified that Wenham was able to fly, Powell replied ‘there is no law against flying’ – the jury found Wenham guilty.

She was the last person to be convicted for witchcraft in England. Sentenced to hang, she was subsequently pardoned by Queen Anne and lived out the rest of her life in the care of local gentry until her death in 1730. The trial is often cited as the end of an era, with the last of the witch trials bringing the curtains down on the early modern period and ushering in the Enlightenment.

The Wenham trial was not an aberration though. There is no doubt that the majority of the population of 18th-century England believed in witchcraft, including many in educated society. As the furore over the Wenham case shows, the belief in witchcraft was an important political, religious and cultural issue at both a local and national level.

 

9) 1808: a mob takes the law into its own hands in Great Paxton

The laws against the crime of witchcraft were repealed in 1736 but, in the absence of legal redress, communities periodically took to enacting mob vengeance against suspected witches.
In1808 several young women in the village of Great Paxton in Cambridgeshire began to suffer from fits and depression – all signs of evil at work. Then a local farmer accused Ann Izzard of magically overturning his cart while returning from the market in St Neots.

Something had to be done. On the evening of Sunday 8 May a mob broke into the cottage of Ann and her husband, and she was dragged semi-naked out into the yard where they beat her in the face and stomach with a club. Others scratched her arms to draw blood, and so break her witchery.

The mob dispersed, but when they heard that a neighbour, a widow named Alice Russel, was harbouring Ann, they threatened her too. ‘The protectors of a witch, are just as bad as the witch,’ it was declared. The next evening, Ann was attacked again, and word spread that she was to be swum. She wisely fled to another village and instituted legal proceedings, resulting in the prosecution of nine villagers at the assizes.

 

10) 1875: hag-riding in Weston-super-Mare

Throughout the 19th century ‘reverse witch trials’ periodically took place up and down the country. Those abused or assaulted for being witches were now the prosecutors and not the defendants. Several such trials arose from a strange nocturnal experience known today as sleep paralysis, when people, partially awake, suffer temporary paralysis and often frightening hallucinations.

In the West Country this was known as ‘hag-riding’, a term that sometimes puzzled the courts. In 1875 magistrates in Weston-super-Mare tried to get to the bottom of the experience when questioning 72-year-old Hester Adams, a widowed charwoman, who stabbed 43-year-old Maria Pring in the hand and face.

‘I can prove that she is an old witch, and she hag-rided me and my husband for the past two years,’ claimed Adams. ‘What do you mean by hag-riding?’ inquired a magistrate. ‘A person that comes and terrifies others by night,’ she replied. ‘I have seen her many times at night, but she does not come bodily.’ When asked how she appeared, Adams said: ‘In a nasty, evil, spiritual way, making a nasty noise.’

Adams concluded that the only way to end their torment was to draw blood from Pring. She warned the magistrates: ‘I’ll draw it again for her if she does not leave me alone.’ The magistrates fined her one shilling and bound her over to keep the peace.”

While Europe lives in more enlightened times, many villagers in Africa and India are conducting witch hunts that are just as terrifying and barbaric as the ones mentioned above.  Their victims are often children.  Safe Child Africa is a UK based charity trying to educate the people of Nigeria.  You can read about their work at this link:

http://www.safechildafrica.org/childwitches/

It is scary to realize that people are still being persecuted for witchcraft!

(Photo: Safe Child Africa)

Copyright © 2021 | KitPerriman.com | All Rights Reserved

 



September 15, 2021

Spellbound!

Handle

Handle your magic with care . . .

(GIF: Public Domain)

Copyright © 2021 | KitPerriman.com | All Rights Reserved

 



September 14, 2021

Elvis Presley’s Devil In Disguise

(You’re the) Devil In Disguise

(Bernie Baum, Bill Giant, and Florence Kaye)

You look like an angel,
Walk like an angel,
Talk like an angel,
But I got wise –

You’re the devil in disguise,
Oh, yes you are,
The devil in disguise!

You fooled me with your kisses,
You cheated and you schemed.
Heaven knows how you lied to me,
You’re not the way you seemed.

You look like an angel,
Walk like an angel,
Talk like an angel,
But I got wise –

You’re the devil in disguise,
Oh, yes you are,
The devil in disguise!

I thought that I was in heaven
But I was sure surprised.
Heaven help me, I didn’t see
The devil in your eyes.

You look like an angel,
Walk like an angel,
Talk like an angel,

But I got wise –
You’re the devil in disguise,

Oh yes you are,
The devil in disguise!

You’re the devil in disguise,
Oh, yes you are,
The devil in disguise!
Oh, yes you are,
The devil in disguise!

To hear the song click below:

(Photo: Public Domain)

(Video: YouTube)

Copyright © 2021 | KitPerriman.com | All Rights Reserved

 



September 13, 2021

Kit’s Crit: Midnight’s Children (Salman Rushdie)

Rushdie

Salman Rushdie’s Midnight’s Children (1981) is a classic example of magical realism, but it is also a satirical historical fiction.  The unreliable narrator – Saleem Sinai – is one of 1001 children born between midnight and 1.00am on August 15, 1947, which was the moment of India’s independence from Britain.  Although he is the bastard child of a beggar woman, a nurse switches him at birth with another boy called Shiva, so he grows up as the only son of a wealthy couple.  All of the children arriving in the same hour as the birth of the new nation are endowed with special powers – “transmutation, flight, prophecy and wizardry,” but Saleem has the most powerful gift of all.  He is telepathic and able to communicate with the other gifted youngsters across the country.  Saleem persuades them to form the MCC (Midnight Children’s Conference), but even with all their combined powers they end up being persecuted by the authorities.

Rushdie uses magical realism to construct a parallel history between the person (Saleem) and the state (India) in the fairy-tale style of the Arabian Nights.  The hero becomes entwined in a series of events that are not only fantastical, but are often scientifically dubious at best, and historically inaccurate at worst.  This creates confusion, uncertainty, and a shift in the reader’s reality that many critics have found disturbing.  Rushdie’s symbolism is also  heavy-handed.  There is little subtlety in his continual reference to snakes, ladders, noses, and knees.

The strength of Midnight’s Children lies in the central theme: What is reality?  Rushdie makes us question history, fact, truth, memory, and narrative.  Ultimately, truth depends “on perspective and belief.”  He decides that, “Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems – but as you approach the present, it inevitably seems more and more incredible.”

Midnight’s Children is often compared with Gunter Grass’s The Tin Drum.  Both novels are mystical, philosophical, and enchanting – yet the German Classic has an additional lyrical element that I found more compelling.

SR 3

 (Photo: Kit Perriman)

Copyright © 2021 | KitPerriman.com | All Rights Reserved

 



Copyright © 2021 | KitPerriman.com | All Rights Reserved